NASA relies on extensive Air Force support for Crew Dragon space station flights in case of a malfunction that might trigger and automated abort and an emergency descent to splashdown anywhere along a trajectory stretching from Cape Canaveral to the north Atlantic Ocean. SpaceX plans to modify the Inspiration4 Crew Dragon capsule, replacing its forward hatch with a dome-like viewing cupola. That will allow SpaceX to use the same procedures already in place for NASA missions in case of an emergency abort. Isaacman and his crewmates will follow the same general trajectory used by station-bound crews, launching into an orbit tilted 51.6 degrees to the equator. to ensure everything's safe, and that it doesn't preclude any use of this spacecraft for other missions." "It's the coolest thing ever," said Reed. The result will be an unobstructed, hemispheric view of the Earth below and stars above. Reed said the vehicle will be thoroughly inspected and refurbished for the Inspiration4 flight and equipped with a dome-like bay window in place of the docking adapter and hatch normally in place for a link up with the space station. The spacecraft is scheduled to bring its NASA crew back to Earth on April 28 And that's important."īenji Reed, who manages SpaceX's piloted missions, said the company plans to use a previously flown Falcon 9 first stage booster and the same Crew Dragon capsule - "Resilience" - that carried four NASA astronauts to the International Space Station last November. "And I think when this mission is complete, people are going to look at it and say it was the first time everyday people could go to space. "I think that should send a message of all the things to come, right? Someday in the future, 50, a hundred years from now, you're going to have a lunar base, you're going to probably have some sort of a Martian colony," Isaacman said. "I believe that history will record Inspiration4 as a pivotal moment in space exploration, as another important step towards humanity's next great rendezvous with destiny out in space," Isaacman said during a news conference with his crewmates at the base of historic pad 39A at the Kennedy Space Center. Jude Children's Research Hospital Sian Proctor, an educator-artist and one-time NASA astronaut finalist and Chris Sembroski, a Seattle-based aerospace engineer. The all-civilian Inspiration4 crew atop pad 39A at the Kennedy Space Center (left to right): mission commander Jared Isaacman, the entrepreneur financing the mission Hayley Arceneaux, a physician's assistant at St. She will become the youngest American to fly in space. Jude where she was successfully treated for bone cancer when she was 10 years old. They will be joined by Hayley Arceneaux, a 29-year-old physician's assistant at St. He said Sian Proctor, a private pilot who holds a master's degree in geology and a doctorate in science education, will serve as his co-pilot while Chris Sembroski, a Seattle-based engineer, will serve as a mission specialist. Jude Children's Research Hospital, is a veteran jet pilot who will serve as mission commander. Jared Isaacman, who is chartering the "Inspiration4" flight in part to raise money for St. The billionaire financing a SpaceX flight that will carry the first non-professional "everyday people" into orbit in September, announced the final two members of his four-person crew Tuesday, adding an artist-educator and an aerospace worker selected in a charity-themed competition. Bone cancer survivor to join first private SpaceX flight 00:23
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You are about to enter a website that contains explicit material (pornography). In the 2013 game against #1 Alabama, Evans caught seven passes for a school-record 279 yards in the 49–42 loss. He received freshman All- SEC honors from the league's coaches. On the year, he recorded three games with at least 100 receiving yards. After being redshirted as a freshman in 2011, he had 82 receptions for 1,105 yards and five touchdowns in 2012. While attending Texas A&M University, Evans played for the Texas A&M Aggies football team from 2011 to 2013. He was recruited by Texas A&M as a wide receiver and eventually signed to play for the Aggies. He also posted a 4.54 time in the 40-yard dash at football camp and was a member of the 4 × 100m and 4 × 200m relay squads. He got personal-best leaps of 14.11 meters in the triple jump and 6.28 meters in the long jump. In track & field, Evans competed in the jumping events. As a senior, he earned second-team District 24-4A honors after making 25 receptions for 648 yards and seven touchdowns. He only played football during his senior year, and was thus not heavily recruited by college football programs. In basketball, he averaged 18.3 points, 8.4 rebounds, and 5.2 assists as a senior. He won a Super Bowl championship in Super Bowl LV over the Kansas City Chiefs.Įvans attended Ball High School in Galveston, Texas, where he played basketball, football, and ran track for the Tors athletic teams. Evans is also the only player in NFL history to start his career with nine consecutive seasons with at least 1,000 receiving yards. Evans holds nearly every major Buccaneers franchise receiving record career receptions, yards, and touchdowns. Evans played college football at Texas A&M, where he earned consensus first-team All-American honors after recording a school record of 1,394 receiving yards on 69 receptions, and was drafted by the Buccaneers in the first round with the seventh overall pick in the 2014 NFL Draft.Įvans has been selected to the Pro Bowl four times and was a Second-team All-Pro in 2016. Michael Lynn Evans III (born August 21, 1993) is an American football wide receiver for the Tampa Bay Buccaneers of the National Football League (NFL). Most consecutive 1,000 yard receiving seasons to start a career (9). Some apps provide you with layout templates. To learn how to import your layout, please refer to the associated app's manual.Ĭreating a layout your own layout can be fastidious, but you'll get more control over how each element works, what information it sends to HeavyM and when, etc. (You can usually also build a layout directly from the mobile or tablet app!)īuilding a layout requires creating the elements of the user interface, importing the layout in the app if you built it on a computer and assigning HeavyM commands to them. In these cases, the editors are free to install on a computer, but the layouts you create will only work with the associated applications you buy from the app store. If you have the skills and are courageous, you can code it, or you can use a WYSIWYG editor, like TouchOSC, or the Lemur Editor. We won’t get into details about how to create a layout here, but you can find many resources on the internet on the subject. You have two options to get a layout: Option 1: build a layout from scratch Here's an example of a layout in TouchOSC: There are many apps that let you build these control panels or have layout templates. Since you won’t be using HeavyM directly on your smartphone, you need to use an app with a special layout, in order to have a functional user interface, with sliders and buttons. This opens up endless possibilities for interactive installations! The great news is that there’s no need to connect everything with kilometers of cable, your devices just need to be on the same network. It’s a protocol that is used for communication between multimedia devices that is similar to the MIDI protocol, but it allows the transfer of bigger data, faster, and through networks like Wifi and Ethernet. In short, this protocol will allow you to control some features in HeavyM remotely. OSC is the acronym for “Open Sound Control”. 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We see this, for example, in the words of Jesus who speaks of people giving account on the day of judgment: "by your words you will be acquitted, and by your words you will be condemned" ( Matt 12:37 the word NIV translates "acquitted" is the one Paul normally uses for"justified" ). When we turn to the New Testament we must be clear that the righteousness and justification terminology is to be understood in the light of its Hebrew background, not in terms of contemporary Greek ideas. Again Phinehas took decisive action so that the plague was checked and "This was credited to him as righteousness" ( Psalm 106:31 Phinehas is described in the words, "as zealous as I am for my honor among them," Num 25:11 ).And the prophet can say, "He who vindicates (or justifies) me is near" ( Isa 50:8 ). He did this to Abraham, who believed God "and he credited it to him as righteousness" ( Gen 15:6 ). Sometimes we find the thought that God imputes righteousness to people. And for the second point, "If you, O Lord, kept a record of sins, O Lord, who could stand? But with you there is forgiveness" ( Psalm 130:3-4 ).The end of Micah's prophecy emphasizes that God is a God "who pardons sin and forgives the transgression of the remnant of his inheritance" and that he"delights to show mercy" ( 7:18-20 ). For the first point, "All have turned aside, they have together become corrupt there is no one who does good, not even one" ( Psalm 14:3 ).And when God looks down from heaven he sees that "they have together become corrupt there is no one who does good, not even one" ( Psalm 53:2-3 ).Many such passages could be cited. Thus it is made clear that sin is universal, but that God provides forgiveness. We do not find the full New Testament doctrine of justification by faith in the Old Testament, but we do find teachings that agree with it and that in due course were taken up into that doctrine. The law that mattered was, of course, the law of God, so that righteousness signified conformity to the law of God. And in Scripture it is not too much to say that righteousness is basically a legal term. Justification ( dikaiosis ) is connected linguistically with righteousness ( dikaiosune ) in the first century it is clear that all the words with this root were concerned with conformity to a standard of right. The legal force of the terminology is clear when Job exclaims, "Now that I have prepared my case, I know I will be vindicated" ( Job 13:18 ). In both the Old Testament and the New the question receives a good deal of attention and in both it is clear that people cannot bring about their justification by their own efforts. Justification points to the acquittal of one who is tried before God. That is rather the content of sanctification. That person should be an upright and good person, but justification does not point to qualities like these. The basic question in all religion is, "How can sinful people be just (i.e., be justified) before the holy God?" Justification is a legal term with a meaning like"acquittal" in religion it points to the process whereby a person is declared to be right before God. The Lord enters into judgment against the elders and leaders of his people" ( Isa 3:13-14 ).Over and over the punishment of evil is put in legal terms ( Exod 6:6 7:4 ) and specifically Israel's sin is brought out with the use of legal imagery ( Micah 6:1-2 ).Īccordingly it is not surprising that salvation is often viewed in legal terms. "The Lord takes his place in court he rises to judge the people. God can be relied on to act in perfect justice and without giving preference to the wealthy and the highly placed in our human societies. It mattered to the biblical writers that God is a God is a God of perfect justice, a truth expressed in Abraham's question, "Will not the Judge of all the earth do right?" ( Gen18:25 ). Throughout the Bible justice is a category of fundamental importance. Nobody expected strict justice in human tribunals but the biblical writers were sure that God is a God of justice. But if the victim was a vassal it sufficed to pay a small fine. Indeed this was sometimes written into the statutes and, for example, in the ancient Code of Hammurabi it is laid down that if a citizen knocked out the tooth of another citizen his own tooth should be knocked out. In their day it was axiomatic that a wealthy and important citizen would not be treated in a law court in the same way as an insignificant person. We should be clear that our hesitation was not shared by the biblical writers. We tend to distrust legalism and thus we dismiss anything that savors of a legalistic approach. It is a legal term signifying acquittal, a fact that makes it unpalatable to many in our day. Justification is the declaring of a person to be just or righteous. In terms of performance, FontAgent does not seem to suffer any slow down even if you have a large library of more than a 1,000 fonts.Explore Your Fonts Using Table View - Use FontAgent’s Table View is a built-in spreadsheet that lets you quickly explore and compare font metadata.View font names, formats, styles, metrics, filenames, locations, activation, ratings, comments everything you need to know about your fonts. FontAgent also include many handy tools to manage your fonts in batch. You can quickly clean up fonts and remove errors or even update them. The application also includes Adobe Photoshop CS5 support, so you can quickly upload your custom fonts to an image you're retouching.įontAgent's strength, the interface, is also its weakness. While it's packed with a lot of very useful features it can be a little confusing to work with, especially for new users. You'll have to give yourself a little bit of time to get used to it.įontAgent offers a lot of features to quickly manage large font libraries. While a little complex for new users, it comes in really handy once you get used to it.Editor’s Note: This article is being continously updated, with new updates being added to the list of top font managers. No matter what digital product you create, fonts make all the difference in the world. There is a reason why the New York Times and someone’s bio website do not use the same font. There is also a reason why you should not use Comic Sans in formal design. What we are saying is this: fonts are essential. Picking the wrong font for even the right design can ruin the design altogether. TL DR: the best Mac font managers right now But, how do you collect and manage the various fonts out there? You’re in the right place if you use a Mac for your design workflow. Just like every other Operating System, macOS requires many fonts to function. The system ships with various fonts belonging to different categories. However, only some of them are the most essential for the OS and most third-party apps to function correctly. The list includes fonts like AppleGothic, Arial, Comic Sans, Georgia, Impact, Tahoma, Times New Roman, Verdana, etc. However, if you use the iWork suite, you need more fonts like Chalkboard, Optima, Baskerville, Papyrus, Futura, etc. As you can guess, these are some of the cleanest-looking fonts too. So, on an ideal day, you should not remove the mentioned fonts from macOS. Of course, you can’t remove most of them if you use macOS Catalina or later. But, as a designer or developer, these fonts are not enough. You can’t make the best design using these fonts alone. Apple recommends developers use fonts other than the standard ones we mentioned. Well, that’s why macOS allows you to install third-party fonts on your Mac. MacOS supports TrueType (.ttf), Variable TrueType (.ttf), TrueType Collection (.ttc), OpenType (.otf), and OpenType Collection (.ttc) fonts. macOS Mojave adds support for OpenType-SVG fonts. So, if you have a font with the extensions mentioned above, you can install it on macOS. Double-clicking on the font file will handle the installation for you. Quite simply, if you ask us.īut, you don’t always need all the fonts. You may have to disable, group, and manage fonts in general. So, macOS ships with a decent utility called Font Book.įont Book is the native font manager for macOS, offering you a platform to access/manage the fonts installed on the Mac. As you can see, the latest version of Font Book brings a lot of handy features. You can see the list of System and User-installed fonts and categorize them. When you select a single font, it also shows a preview of how it looks. You can also create smart collections using this utility. It’s when you’d start noticing some severe limitations with the Font Book utility.Īt first look, you may think the Font Book is enough.īut, then, you should understand that a designer needs to handle hundreds of fonts at best. Font Book lacks many smart organization and customization options. |
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