“I think my situation is especially different with growing up in a hearing world, yet always working 10 times harder to hear with hearing aids and trying to lip-read what everyone is saying, knowing I can’t hear everything yet pretending that I could. “I always felt like I was too deaf for the hearing world, yet too hearing for the deaf world,” Maxey has said. He’s also an American Sign Language (ASL) interpreter who joined Grammy-winning Chance the Rapper on his Be Encouraged tour in 2017. Matt Maxeyīorn with a profound hearing loss, Matt Maxey is the founder of DEAFinitely Dope. Younger than many other musicians on this list, Grimes canceled multiple performance dates in 2012 due to her hearing condition, seeking to avoid further hearing loss. GrimesĬanadian electronic artist Claire Boucher, who goes by the stage name ‘Grimes’, is known for her unique take on pop music and her artistic style. Watch Will.i.am speaking about tinnitus in this video. “In 2007, 2013 and this year, I got all my frequency tests and the curve … It’s proper loss.” When I went to the doctor and got an ear test, they said, ‘Your ears are that of someone a lot older.’” Will.i.am said in an interview. In 2010, multi-platinum Grammy Award winner and hip hop artist Will.i.am revealed that he suffers from tinnitus – a constant ringing in the ears, and that doctors told him he will eventually lose his hearing. This article is part of our Famous Deaf People series! You can also read about famous deaf and hard-of-hearing actors and famous deaf people who changed the world on our blog. Many talented musicians were born with hearing loss, and many have acquired hearing loss or tinnitus from the effects of prolonged exposure to loud music.īelow is a list of accomplished artists who have gone on the record about their hearing loss. In the future, an additional study should be conducted among different musical eras to conclude the nature of deaf composition.It’s a common misconception that deaf people can’t play or hear music.ĭeafness is a spectrum, and even those who are profoundly deaf can feel music through vibrations. As these trends were observed within all of the deaf composers in the Romantic Era being studied, this study contends that these trends could be ubiquitous among deaf composers. In particular, this study found that deaf composers featured an increased number of fortes, fortissimos, sforzandos, and subito fortissimos, a higher number of crescendos and decrescendos, a smaller percentage of notes that had a frequency equal to or above G6, and a large number of repetitive passages that are doubled and/or tripled, which results in an unbalanced sound between the melody and the accompaniment. The scores were examined rather than recordings of these pieces as modern string quartets, piano trios, violin and piano duet players would not be able to replicate the sound and style of music from the Romantic Era. To ascertain the true nature of deaf composition, 10 scores were analyzed –5 scores from composers who were hearing or were not deaf yet and 5 scores from composers who were completely deaf. This study attempts to discover if there are trends among the composition style of composers from the Romantic Era who went deaf.
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